JÜRGEN WIRTZ PROFESSIONAL SOUND ENGINEERING
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Equipment

  • DIGITAL WORKSTATION: Windows 7 Quadcore CPU (Intel QX9650 3.66 GHz), Universal Audio UAD2 Octo und Quad (12 DSP) und TC Electronic Powercore 8000 (8 DSP) - Software: Cubase 7, Pro Tools 11, Melodyne Editor, Ableton Live 8, Native Instruments Komplete 8, Korg Digital Collection, Eiosis AirEQ Premium, E2Transienter, E2Deesser, Slate Digital VCC, VTM, FGX, Trigger2, SSD4, Exponential Audio Phoenixverb, R2

  • ANALOG: Alta Moda Unicomp - Fredenstein F660, F200 - Universal Audio 2-610   – Neotek Series 1 Channelstrips – Höf-Audio Dynamic Master – Mindprint AN/DI Pro – DBX 166 - Sony SRP-L210 - Dynachord Analog Reverb - Dynachord Tape Echo - Radial Pro48 DI - Electrix Filter Factory

  • MIKROFONE: Neumann 2x U-87Ai, 2x TLM-127, TLM-103 – Sony 2x C-48 – AKG C414ULS, 2x D330BT – Shure 2x KSM 141, SM-58 (LTD), 2x SM-57 (USA), 565SD, Beta-52a - Sennheiser 2x MD-441, MD-421, MD-406 – Beyer 2x M260 Ribbon, M400 - Electrovoice RE-20 - Rycote Shockmounts und Pauly Poppkiller

  • MONITORING: Adam S3X-V, Yamaha NS-10m Studio, Auratone Speakers - Audeze LCD-2, Sony CD3000, Beyer DT770m Headphones

  • ANALOGE SYNTHESIZER: Moog Minimoog – Moog Prodigy – Roland SH101 – Roland SH09 – SSB Banana Synth – Doepfer MS404 – Waldorf Pulse

  • DIGITALE SYNTHESIZER: Waldorf Microwave 2 – Korg DSS-1 – Casio CZ5000 – Yamaha TG500 – Oberheim DSP1 – Casio HT700 – Roland MKS50 – Ensoniq SQ80 – Ensoniq ESQ1 – JVC HT700

  • INSTRUMENTE: Fender Rhodes MK2 – Fender Jazz Bass – SKC Bogart Carbon Bass – Yamaha RY700 Guitar – Epiphone Acoustic Guitar – Yamaha Acoustic Guitar - Percussion and Drum Collection

   
   Impressum